Home Asian Drama The 5 Worst Chinese Dramas of January: Bai Lu and Dylan Wang’s Series Make the List

The 5 Worst Chinese Dramas of January: Bai Lu and Dylan Wang’s Series Make the List

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Key Insights for January’s Disappointments in Chinese Dramas: Bai Lu and Dylan Wang’s Series Make the List

 

**Overview of January’s Disappointments in Chinese Dramas**

January brought several highly anticipated Chinese dramas to our screens, but not all of them lived up to the hype. Despite the presence of popular actors like Bai Lu and Dylan Wang, some productions received harsh criticism and negative reviews. While a few shows were well-received, notable flops highlighted a clear divide in audience reception. The main points of contention revolved around weak scripts and lackluster performances across various shows.

**Whitewashing: Accusations and Backlash**

“Whitewashing” was initially one of the most hyped dramas of January, but it faced severe backlash due to allegations of plagiarism and the glorification of villains. The promotional strategy, which placed a strong emphasis on the villains, sparked public outrage and led to a widespread boycott. As a result, the drama received a disappointing rating of 5.7 on Douban, reflecting the audience’s disapproval.

**The Order of Longing: A Failed Return**

Starring Angelababy and Song Weilong, “The Order of Longing” suffered from a year-long delay due to controversies surrounding Angelababy. Upon its release, the drama garnered overwhelmingly negative reviews, criticized for its incoherent script and chaotic plotlines created by multiple screenwriters. Both lead actors faced harsh criticism for their performances, with Angelababy’s acting deemed over-the-top and Song Weilong’s portrayal described as lifeless.

**Five Blessings Arrive: Missed Expectations**

“Five Blessings Arrive,” initially marketed as a heartfelt family drama for the Lunar New Year, disappointed viewers with its disjointed script and forced humor. The performances of the lead actors, particularly Wu Xuening and Huang Shengchi, were labeled as the weakest aspects of the series. Without significant improvements in script and acting, the drama risks fading into obscurity despite its promising premise.

**Moonlight Mystique: Visuals vs. Substance**

“Bai Yue Fan Xing” featured visually appealing leads, Bai Lu and Ao Ruipeng, but was criticized for its uninspired script and weak performances. The storyline was seen as dull and derivative, lacking originality compared to other fantasy dramas. Interestingly, supporting actors outshone the leads, indicating a disparity in performance quality across the cast.

**Guardians of the Dafeng : A Blockbuster Flop**

Marketed as a major production comparable to “Joy of Life 2,” “Dai Feng Da Geng Ren” failed to meet audience expectations despite high investment. The drama’s slow-paced and convoluted plot led to frustration, with significant improvements only noted in the latter half. Dylan Wang’s lackluster acting, combined with the uninspiring performance of Tian Xiwei, contributed to the series’ disappointing reception.

In summary, January’s Chinese dramas had their fair share of disappointments, with several high-profile shows failing to impress the audience. The criticism primarily focused on weak scripts and lackluster performances, underscoring the importance of strong storytelling and compelling acting in captivating viewers.

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